Emily is the perfect combination of classy and fierce & a true gem of the upcycled collection. It is the bushiest and the most distinctive oversized bun scrunchie you’ll ever wear!! Each item is handcrafted mostly from dead stock textiles and fabric scraps sourced & designed in Europe by our creative team.
Given the upcycled nature of these rare gems each piece is unique and quantities of each model are limited. Additionally, as all bunchies are handmade there may be some sporadic imperfections and slight differences in size.
COMPOSITION
Emily is made of satin fabric scraps (deadstock satin leftovers) and satin lace frill.
- 4 Layers x 60cm of Satin Fabric Scraps
- 240cm of black Satin Lace Frill
- Black Polyester Sewing Thread
- Size: 18cm x 18cm
Emily is the perfect combination of classy and fierce & a true gem of the upcycled collection. It is the bushiest and the most distinctive oversized bun scrunchie you’ll ever wear!! Each item is handcrafted mostly from dead stock textiles and fabric scraps sourced & designed in Europe by our creative team.
Given the upcycled nature of these rare gems each piece is unique and quantities of each model are limited. Additionally, as all bunchies are handmade there may be some sporadic imperfections and slight differences in size.
COMPOSITION
Emily is made of satin fabric scraps (deadstock satin leftovers) and satin lace frill.
- 4 Layers x 60cm of Satin Fabric Scraps
- 240cm of black Satin Lace Frill
- Black Polyester Sewing Thread
- Size: 18cm x 18cm
A tribute to
Emily Dickinson
Emily Dickinson stands as one of the most remarkable and innovative poets in history. She staked her claim in the realm of defining poetry itself, challenging the established notions of what constituted poetic artistry.
Comparable to literary figures like Ralph Waldo Emerson, Henry David Thoreau, and Walt Whitman, she engaged in expressive experiments to liberate language from its customary confines. Much like authors such as Charlotte Brontë and Elizabeth Barrett Browning, she molded a fresh identity for the first-person narrative.
Within Dickinson's verses, her speakers emerge as keen observers, unveiling the inexorable limitations of their societies while also envisioning their potential realms of escape, both real and fantastical.